Product (Page 4)

Showing 61–80 of 101 results

  • Milan-Stripe CS

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    As a sporty stripe variation Milan-Stripe CS boasts the same material properties as Milan CS: the linen look of the Trevira CS fabric is put to good effect with 8.5 cm wide block stripes in four colour shades attuned to the plain Milan CS variation.

  • Minas

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    Sleek trend scout. This stripe sets contemporary standards. Sporting two centimetres wide coloured lines alternating with white or as trendy colour combinations Minas stages its graphic clarity in a modern way. Like Uni Plana it is washable, easy-care and floor-to-ceiling and therefore suitable for versatile making up for textile furnishings. In 18 colour combinations Minas sets fresh accents, on demand also in a finely tuned combination with Plana.

  • Molina

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    Naturally soft focus. The colours on the horizon changing from sunrise to sunset provide the inspiration for Molina. What nature stages horizontally, is transposed vertically into this textile counterpart – with a maritime, earthy, natural or graphic colour spectrum spreading over a 320 cm width. Ivory makes for flowing transitions between the individual tones – just like the incidental light softly illuminating the semi-transparent natural woven of wool and linen.

  • Monti

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    Blossoming island fantasies. Delicate plant silhouettes creep across furnishing fabric Monti and are highlighted by the embroidered hatching that surrounds them. In addition to finely varied stitching in blue, sand or graphite nuances on a pale cotton-linen background there is also a version with white embroidery on an anthracite background. A 2 cm overlap ensures the floral embroidery can blossom without limits indoors.

  • Oia

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    With a relaxed, natural attitude Oia translates summery lightness into a universal textile basic. This cotton voile convinces us with its natural feel, soft touch and light drape. Its 16-colour palette embraces fresh, summery tones like yellow, powder, flamingo or jade as well as fine non-colours from white and ivory to champagne and sand or silver. With 300 cm width the semi-transparent fabric is also suited to room-height draperies. The summertime, easy-living feel is rounded off by the fabric’s easy-care properties.

  • Olea

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    Like sand on the sea. The semi-transparent gauze Olea is irresistible to the touch. Its soft wool bouclé yarn arouses associations with the finest powdery sand running through your fingers. A sensual experience that also becomes visible thanks to the irregular grain unfolding in delicate vertical lines. Each one of the seven natural tones ranging from stone to sand to sea blue exudes its very own mood in interiors. What they all have in common: the properties of the wool bouclé make for a pleasant indoor climate.

  • Ototo CS

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    Japan’s purist aesthetics are not only conveyed by this striped plissé fabric in name only. As a further development of Jalousie CS it now has a new crushed finish. This almost sculptural look is reminiscent of finely creased paper revealing its voluminous effect at a 320 cm width even for floor to ceiling applications. The slightly transparent weave made of 100% Trevira CS is suited to expressive draperies both, in the private and public sphere. Just like Jalousie CS it is available in four colours: black, white and two classy non-colours effectively underline the plissé texture. The overall fabric width is approx. 320 cm. Due to the production process the crash effect is only possible on approx. 300 cm.

  • Piccadilly

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    This fine striped double weave owes its special appeal to large-format watercolour Polka dots. Its lavish print design floats in space as if painted with airy brush strokes in the air thereby giving rise to the optical weightlessness of the transparent basic fabric. A fascinating effect that is produced by three colour worlds: from intense blue, turquoise and emerald hues, passing through warm red, orange and umbra tones to discreet grey and anthracite shades. Piccadilly is also available in solid ivory and grey matching its background colours.

  • Piccadilly Uni

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    Piccadilly Uni also unfolds its airy, lively effect supported by the two layers of the transparent double weave and its refined pinstripe structure in two solid colours attuned to the shades of the watercolour design. In ivory and grey it picks up the background colours of its patterned counterpart lending itself to high-impact combinations. Beyond this, the discreet solid fabric with a fine lustre is also suited to universal applications as a “soloist”.

  • Pina

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    Fluffy as a fun factor. Pina varies the dot theme all naturally on a semi-transparent linen background. Featuring two mini pompons each, the irregularly placed Fil-coupé appeals to both the eye and the fingertips while spreading an upbeat atmosphere in the room. Ivory, sand and grey as finely dosed colour alternatives revisit the fabric classic for a fresh new contemporary revival. A fabric that combines warmth and homeliness with a playful, modern appearance and easy-care washability.

  • Pinati

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    Right to the point. For this modern twist on the classic Plumetis jacquard dots “dance” out of step with consummate ease. The fancy yarn this Fil-coupé is woven from “blows up” its clipped threads in a pompon style – anew after each washing. This provides the pattern on the transparent base fabric with both visually and haptically appealing three-dimensionality. In three soft non-colours Pinati gets right to the decorative point for modern window design in a featherweight way.

  • Plana

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    Taffeta with team spirit. With its 330 cm fabric width the yarn dyed plain fabric made of 100% polyester opens up unlimited decoration opportunities in every aspect. 25 colours in softly broken nuances and the silk-type look with its dry taffeta gloss lend wings to imagination and harmonise perfectly with current living room materials. Easy-care, easy to make up and with a soft drape Plana is an indispensable basic – be it single-coloured, in a combination of various plain tones or in a finely tuned interplay with the stripes of Minas and Bonto.

  • Polo

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    Light linen ware with an interweaved stripe design. Block stripes (ca. 3 cm) corresponds with broader fond stripes (ca. 12 cm). Polo has a soft, dry touch and the natural and typical glaze of linen. Quality and yarn colours are the same as for the fabric Marco, so that both nya textiles articles are well combinable.

  • Prisma Plain

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    We are such big fans of our print design Prisma╔ base fabric that we extended the range with 20 fantastic uni colours. And it gets even better! Due to its fine-threated, firm canvas weave made of 100% long-staple Egyptian cotton, the so-called percale is very stable but air-permeable at the same time. In that way, Prisma Plain is also ideal for bed linen!

  • Ravello

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    All-weather fabric. Ravello whisks us away on a trip to that picturesque coastal village of the same name on the Amalfi Coast. Its terraced landscape is echoed by the soft undulating tiers of this double-width, semi-transparent pleated fabric. The three-dimensional texture looks just like linen but is in fact 100% solution dyed acrylic, making Ravello suitable for both in and outdoor use. Fast-drying, especially light-fast and mildew-resistant, it exudes textile charms in natural sand, stone and sun hues – from living rooms to patios and terraces.

  • Ribbon

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    In addition, the generous graphical design Ribbon has been realized as burnt-out in a positive and negative version. The abstract composition of lines unfolds its three-dimensional effect either by way of show through or as a pattern on transparent background. The cotton polyester blend provides for a soft drape, pleasant feel, easy processing and easy care. In neutral off-white and double width, Ribbon excels by its universal applicability. Even ceiling-high processing is possible. For combination options, base fabric Simply is also available as plain fabric. Simply is also the base fabric for Petunia, Buskage, Polka, Cestino and Tonno. Discover also: Ribbon colour 151 positiv

  • Roya

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    A magnificent natural spectacle. For Roya, the goddess of the dawn herself seems to have reached for the paintbrush and palette to artfully stage her appearance. Iridescent stripes on pure linen make this hand-painted drapery fabric in three colour harmonies a unique textile. When backlit, the brushstrokes of the repeat-free design come to the fore, while even illumination highlights its shine. Roya combines its exclusive look with everyday practicality as the elegant fabric is washable and can be ironed on the reverse.

  • Savo

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    Ebb and (colour) flow. Savo’s Ikat look is reminiscent of the traces the tide leaves on the beach as it goes out. The lighter part of the two-tone fabric represents the dry sand here, while the colour graduations appear as if intensified by water. A transition that corresponds to the material changeover from pale linen to coloured wool. The two deliberately clash in the middle of the 320 cm wide double-face fabric allowing decorators to individually decide on how high the “tide” in eight soft shades can rise.

  • Selma

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    Plain to “sea”. The yarn used for Selma boasts a multicolour effect that gives the fabric its lively appearance. Eight mineral tones come is varying nuances reminding us of shell or stone surfaces depending on the hue. Naturalness that is also reflected in the fibre mix combining hemp with wool and viscose. As an attractive alternative to linen Selma scores additional points with its pleasant touch and loose drape.

  • Sensa CS

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    Woollen feeling for interiors. Sensa CS effortlessly takes the textile sensuality of the private sphere into the public space. The semi-transparent drapery fabric achieves this by combining a very natural look and feel with the required flame retardant properties. Its wool-like texture gives it a soft feel and flowing drape. In five attractive off tones, it opens up a wide range of timeless options – for hotels and restaurants to offices, surgeries, kindergartens and retirement homes.